- About the Oregon Culture Keepers Roster
Search the online Oregon Culture Keepers Roster—an ever-expanding, juried selection of folk and traditional artists—and connect with cultural experts documented through our regional surveys and Traditional Arts Apprenticeship Program.
Rostered artists and culture keepers can provide educational presentations, hands-on demonstrations, or performances to a variety of audiences. We recommend a fee of at least $250 plus travel expenses unless otherwise noted, for such appearances. We do not serve as a booking agent, so please contact the artists directly.
Search the roster by county or keyword to find
- highly skilled traditional artists for your classroom,
- storytellers for your library event,
- cultural experts for your humanities program,
- performers for your festival stage, or
- craft artists for demonstrations.
Check back often—we regularly add new folk and traditional artists!
- Apply
Interested in applying to be on the roster?
First, review OFN’s definition of a Culture Keeper:
- A Culture Keeper is a folk or traditional artist, who actively practices, passes on, and preserves the living cultural traditions of the cultural community to which they belong and is recognized by that community. Folk and traditional arts do not include folk-inspired art, which is produced by individuals and groups who are not part of the cultural community that originally produced/created/developed the art form, even if the quality of the art is excellent.
Second, fill out and send in the application form and all required work samples.
Or contact us at 541-346-3820 | ofn@uoregon.edu for assistance.
- Culture Keepers Roster Map
Oregon Culture Keepers Roster
Found 285 profiles.
The Matthews Family Gospel Singers (Hood River) managed by Eler, one of the 22 children who moved to Odell, Oregon with their parents, performs traditional gospel songs. The family lived in a small schools house in Odell, where their preacher-parents established their church. Eler and her daughter carry on as ministers and the family still comes together to sing traditional gospel songs for public events.
Mic Crenshaw (Portland) is a world-class MC, a poetry slam champion, and a respected hip-hop artist around the northwest. A former member of the Portland-based group Hungry Mob, Crenshaw currently acts as Political Director for the Hip Hop Congress and the Lead U.S. Organizer for the Afrikan Hip Hop Caravan.
Michael Johnson (Umatilla) is a master of Umatilla Cornhusk False Embroidery. False embroidery is also known as cornhusk twining and used when making ceremonial hats for naming ceremonies, food gathering, and traditional dancing. Johnson who was a Master Artist with the Oregon Folklife Network’s Traditional Arts Apprenticeship Program in 2012 was inspired by Tribal elders to be the weaving teacher he is today.
Mike and Terri Slate (Hines) are animal trappers, a traditional pursuit in the Great Basin. Employing their broad knowledge of the local terrain, animal feeding habits, and pelt preparation, the Slates continue a tradition that is a part of regional heritage.
Mike Purves (Klamath Falls) is a shoe repairer and custom bootmaker who owns and operates a shoe repair shop in Klamath Falls. Having trained with Randy Merrell, founder of the Merrell Shoe Company, Purves focuses primarily on shoe repair, but also creates custom cowboy boots made from local materials.
Mike Strong (Ontario) is a western boot and shoemaker who owns and operates Mike’s Custom Footwear in Ontario, OR. After an extensive apprenticeship with famed boot maker D.W. Frommer of Bend, Strong opened his own shop where he repairs shoes and boots and crafts traditional western boots.
Mildred Quaempts (Umatilla), a master in Umatilla dentalium piecework, is renowned for her shell dresses. Quaempts, a 2012 Master Artist with the Oregon Folklife Network Traditional Arts Apprenticeship Program, began to make shell dresses at age 9 under the guide of her grandmother. Making veils for brides is one way Quaempts carries on the traditions in her Tribe.
Milen Slavov (Tigard) is a master piano accordionist from Bulgaria. At the age of eight, he began performing publicly. His virtuosity led to his admittance to a prestigious school of traditional Bulgarian folk music. Slavov is well known for his innovative fusion compositions that blend Bulgarian folk music with jazz, pop, and classical music.
Miranda Coleman (Eugene) is a Ukrainian American dancer from Keizer, Oregon. Coleman does traditional dances from different regions of Ukraine, performing in Oregon and internationally.
Monica Moreno (Portland) is a fabricante del piñatas y las calaveras de azúcar (maker of piñatas and sugar skulls). Moreno started making piñatas in elementary school, in her hometown of Mexico City. She now owns a Mexican party shop in the Portland Mercado on SE Foster, where her handmade creations adorn the ceiling.
Monmouth Taiko (Monmouth), is a Japanese drum ensemble group, started at Western Oregon State in 1995. Taiko drumming was used historically for communication, celebratory, theatrical and religious purposes. In 1950s Japan, taiko drumming gained popularity in its contemporary ensemble format. Monmouth Taiko is a way to remember and share Japanese culture in the US.
Natalie Kirk (Warm Springs) makes twined root bags or wapas. Traditionally worn at their waists, women use wapas when gathering roots. Kirk sells her work at The Museum At Warm Springs, where she learned to weave from Warm Springs traditional weaver, Eraina Palmer.
Nataliya Shatalova (Beaverton) is a Ukranian traditional artist who specializes in making Motanka dolls-- dolls that are made through laborious and strict weaving and knotting techniques. Shatalova is passionate about sharing her traditional craft and emphasizes the importance of a cultural practice that is done with great care, intention, and continuity.
Neftalí Rivera (Aloha) performs traditional Puerto Rican music with his trio, Borikuas. A guitarist, singer, and songwriter, Rivera specializes in the danzas, and aguinaldos of his hometown as well as the Afro-Caribbean bombas and plenas. Borikuas plays regularly in the Portland area and features Ramon Cancel on cuatro and percussionist Victor Pizarro.
Nirmala Waterhouse (Eugene) is a textile and embroidery artist who specializes in ñandutí, a traditional Paraguayan lace. Ñandutí means “spider web” in Guaraní, the indigenous language of Paraguay. Often displayed as wall hangings, altar pieces, or used as embellishment on festive dresses, ñandutí is a versatile artform. Waterhouse has showcased her work at the Whitaker market in Eugene, Oregon, often through live demonstrations of her ñandutí-making process.
Nisha Joshi (Portland) is a traditional Rajasthani folk song artist. These folk songs describe the daily life of villagers, nature, religion, and festivals in the Indian state of Rajasthan. A Master Artist with the Oregon Folklife Network’s Traditional Arts Apprenticeship Program in 2012 Joshi runs the Portland based Swaranjali Academy of Indian Music, and teaches vocal, harmonium, sitar, and tabla lessons from her home.
Nitu Rajbahndari (Beaverton) is a Nepalese classical and folk dancer. Rajbahndari performs classical ritual and regional ethnic folk dances for special events in her community and with the Nepali Organization of Oregon.
Norma Lund (Lakeview) is a skilled hand-quilter. She pieces, appliqués, and quilts with traditional patterns and rescues old quilts. Lund comes from a long line of quilters, including her mother, both grandmothers, and her great-grandmothers.
Norman Sylvester (Portland) plays R & B music, and comes from a small town in Louisiana, where his father sang in a gospel quartet, The Spiritual Five. Sylvester grew up singing in church choirs and later learned to play the guitar from Isaac Scott in Portland. His band, The Norman Sylvester Band, has been a mainstay in the region’s R&B scene for more than 30 years.
The Northwest Tibetan Cultural Association (Portland) is a non-profit organization with the mission of preserving and promoting the rich cultural traditions and values of Tibet. A key part of Tibetan culture is dance, and the organization has both children’s and adults’ dance groups. Folk musicians play traditional Tibetan music on native instruments while dancing with the groups.