2012-2013 TAAP AWARDEE
Traditional skill/art/craft: Charango and Quena Instrument Making
Ethnic Background: Andean
Apprentice: Freddy Calla Waiwa
The Charango (ten stringed Andean Guitar) has been constructed traditionally using the armadillo shell but now is principally constructed from wood. Both the Charango and the bamboo flutes (including the Quena) are made to accompany all traditional festivities in communities, towns and cities across the Andean region. I began playing the instrument as a boy, and then as and adult became interested in learning how to make them.
I learned to make the Quena flutes in Ecuador in the year 2000 from Jaime Paredes. He mentored me on selecting the bamboo and tuning the flutes.
During the last decade I developed new flute making techniques that I have applied to many other types of Andean flutes such as the sampoña (also know as a panflute) and the river cane flute.
I began to think seriously about making my own Charango two years ago after getting inspired by a fellow luthier. I started reading and researching about the techniques of making this wonderful instrument.
My father bought me my first Charango when I was 12 from a neighbor who was a musician and instrument maker. It had the form of a panther carved on it. I love the instrument and I remembered spending some time working in a nearby shop helping finish stringed instruments. Today I have my own workshop in which I spend part of every day working on my Charangos. This enables me to continue the connection to my past and inspires me to further my knowledge of this craft which brings joy to my family, my friends, and my community.
I immigrated to Oregon about 11 years ago to live with my wife, a native Oregonian.
Birthplace: Quito, Ecuador
Birth Date: 4/10/75
I have played Andean Folk Music for the last 20 years of my life. I was inspired as a boy by my grandfather and the popular Andean folk groups of my native country, Ecuador. I later traveled the world sharing my music as part of the folk group Chayag. After coming to the U.S., I continued working in music. Through my performances I feel I’ve contributed to the cultural enrichment of our diverse society. As a boy, I remember going to my uncle’s in the summertime and working in his woodshop. I loved working with wood and as a musician I had to learn how to maintain and repair a diverse array of flutes and stringed instruments. This interest led me to begin making both bamboo and wood flutes and more recently to the construction of the ten-string Andean instrument, the charango.
Also, my four young children are growing up immersed in the music, and I hope they will continue to share and interpret the richness of their Andean heritage.